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and reconstruct not just human bodies
Women as Objects: What Remains
the work critiques the relentless pursuit of perfection imposed by societal standards—how we distort
began to be produced in Japan during the Azuchi-Momoyama period (1573-1600)
"What Remains: Woman, No. 4" No. 7" and reconstruct not just humanWhat Remains: Woman, No. 4 Archival paper, pen and glue 11" x 17" Part of the ongoing series Women as Objects: What Remains One of a kind, signed and titled. Arrives unframed. Women as Objects: What Remains Across centuries and cultures, a woman's body has been dressed as a social contract. Her clothing announced her availability, her marital status, her husband's wealth and lineage. Elaborate lacework, heavy metalwork, layered textiles worn not as
US$ 89.43
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