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"The Honeymoon is Over" features an enigmatic crest that displays a golden
This untitled work aka "Venus Figure" merges two signature elements that Etrog employs or combines frequently - the primitive with modernist figuration
emanate an air of confidence or nonchalance and are often surrounded by abstract or patterned elements from an array of sources and eras
It was during this time especially that Christensen pushed the boundaries of abstraction with his technical applications
KENNETH NOLAND "SEA FOAM CIRCLE II", 1978 Black and White "The Honeymoon is Over" featuresKenneth Noland (1924 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color Field movement. Unlike many of his contemporaries, such as Helen Frankenthaler and Sam Gilliam, Noland was not interested in printmaking until later in his career. And once Noland began collaborating with the printmakers at Tyler Graphics (and other studios) he was more interested
